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Archive for May, 2008

Danny Boy

Lately I cannot get Danny Tenaglia out of my life. In Miami, I was at almost every gig. For my birthday last Thursday, we were at Cielo for an old school set by DT. We came across Cevin Fisher at the door, and Joeski in the bathroom – the ones with no urinals, only stalls with chest-high demi-shelves. Andy, (s)natch, was “at the booth”. And now, after several weeks of back and forth between the publicist and Resident Advisor, it looks like I’ll be hanging out with Danny at his famed Long Island City loft. Allegedly, he has the old Paradise Garage “Levan” speakers. Of course, I’ll be asking him to drop the lost New Order remix that Simon Dunmore mentioned when I interviewed him. Then there’s the fact that his latest CD is on Tommy Boy, and that Andy is helping with the publicity. They used to be tight, I’m told. I’ll be sure to hit up Andy for some grease. It’s supposed to be a definitive feature, which means lots of typing. I’ve never owned a Danny Tenaglia CD, and I don’t think of him as an album artist. To me, Danny means after-hours and marathon sets of tribal, progressive house. Back in the, um, late 90’s the Friday night sets at Vinyl were essential. It was something a broad mix of people could agree on, from the bridge-and-tunnel set to the industry hipsters and downtown dimming luminaries. M.(dealer), W.(porn star), Terre and I often found ourselves prancing the dawn away in the stripped-down sweaty beat box that also hosted Body & Soul on Sundays. Man, once upon a time, Manhattan was a great place to dance. I guess when I finally sit down with Danny, I can start there…that is, once he “gets back from Ibiza…”

DANNY TENAGLIA Ultra Music Festival WMC Miami 2008

[via FoxyTunes / Danny Tenaglia]

May Day, Mayday!

May 22, 2008 mediajorge 3 comments

Multiple choice time. I’ve been neglecting this blog because: a) I’ve been rethinking the whole thing; b) I’ve been busy changing jobs and crunching deadlines; c) I’ve been in a clinical funk; d) I’ve been on that damn Twitter; e) all of the above. E, it is. To each point I’ll say this: a) I’m so deep in this wireless 2.0 shit that I’ve forgotten how to actually socialize; b) I was chasing my 6-figure slice of the mobile pie and my name in ink; c) my manic-depressive cycles have become more exhausting, rendering me a fat, cranky, isolated slob; d) I was on a Twitter binge.
For most of April, since I got back from Miami actually, I’ve been restless, then listless, then unable to focus, and ultimately too fragile to do much publicly, choosing to self-medicate, curl up in a shaky, brown ball, and zone out channel-surfing until my eyes burnt shut. The voices, they are winning.
I’ve caught myself shuffling around the house in the middle of the night, muttering to myself. I’ve tried to pin it on my bipolar condition, on my allergies, on being lonely, on being bored, on my viral load (“undetectable”), on my cell count (“high”), and of course – on freaking out about turning 39 tomorrow. I tried thinking my way out of it, popping Xanax, working non-stop, even condo-shopping with Terre. And only now, almost a month later, after submitting three classically under-the-wire style interviews with Jamie Lidell, Dimitri from Paris and Quiet Village to Earplug, Resident Advisor and BPM; after meeting with realty lawyers and mortgage bankers and coming to terms with my precise financial status; after finally quitting my job and getting out of the text-chat racket – if only to get into the mobile marketing racket; after pushing myself into debt to join my mom while she’s in LA over Memorial Day…only now do I feel like I’m snapping out of it. Who knows – I might even be fun again. It’s been known to happen.
Things started looking up on May 1, May Day – the pagan start of summer and international workers’ day – with a Dolly Parton concert at Radio City with Terre and Joanne. From the moment she emerged, her curves covered in white sequins, her instruments blinged out with white rhinestones, her high pitched voice warbling “Jolene”, “Here You Come Again”, and “I Will Always Love You” through all her Hee-Haw jokes about her boobs, and weepy ditties about growing up a “backwoods Barbie”, I was laughing and sighing all at once. Here I was, in the middle of New York City dragging two of my dearest friends to yet another show, surrounded by a righteous mix of fags, hags and urban hillbillies – feeling…empty, alone?
Earlier in the day, when I finalized the job offer, I had felt a speedball buzz of optimism and anxiety. Then, just as quickly, the hum was gone. How many times had I thought “this will change everything”, only to realize yet again that it never does? I should have been, and in my own way I really think I was, quietly celebrating. The quitting and hiring process was not easy. It took over a month of negotiating and procrastinating, of coming to terms with the surrender, of me turning it down, then being directed there a third time and – yes, after much hand-wringing, passing the background/security check, disclosing a certain incident the process, and hearing that they thought I was “too creative and might be bored” – all in return for something that had nothing to do with either music or writing. I looked at my middle-aged life, my random gray-white hair, and I panicked. I went for the money, I did it for the kick in the pants.
On Monday, the 19th, I was in the kitchen of the new office, loading up on coffee and candy bars. I turned to say Hi to one of my new coworkers. It turned out to be Michael, one of my oldest friends from junior high in L.A. I had seen his name on a seating chart, and thought – there must be a million people in New York with that name. So, maybe my hunch was right and things are going to be OK for a bit.
And if you think reading this is cheesy – try living it.

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